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ARRI - Arnold & Rich­ter Cine Tech­nik GmbH & Co. Betriebs KG

„Inspi­ring images. Since 1917.“ ARRI ist ein Glo­bal Player der Film­bran­che und besteht aus den Geschäfts­be­rei­chen Camera Sys­tems, Ligh­t­ing und Ren­tal. Digi­tal­ka­me­ras, Objek­tive, Schein­wer­fer, Zube­hör sowie viele wei­tere Pro­dukte und Lösun­gen von ARRI sind welt­weit bei pro­fes­sio­nel­len, häu­fig preis­ge­krön­ten Film­pro­duk­tio­nen sowie in High-end-Stu­dios im Ein­satz.

„We trust. We lis­ten. We care. We inno­vate. We are pas­sio­nate.“ Diese Werte sind bei allem, was wir bei ARRI tun, zu spü­ren. Wir stre­ben danach, für unsere Kun­den die best­mög­li­chen Pro­dukte und Dienst­leis­tun­gen zu ent­wi­ckeln – und für unsere Kol­le­gin­nen und Kol­le­gen das best­mög­li­che Umfeld zu schaf­fen. ARRI ist ein Ort, an dem wir wach­sen und Inspi­ra­tion fin­den. Lasst uns gemein­sam das nächste Kapi­tel in der Erfolgs­ge­schichte von ARRI schrei­ben.

Tech­nical Pro­ject Man­ager Stu­dio Solu­tions (m|w|d)

English

Working field:

  • Design and Engin­eer­ing of stu­dio solu­tions for broad­cast and vir­tual pro­duc­tions with main focus on light­ing sys­tems.
  • Pre­par­ing the ded­ic­ated cal­cu­la­tions from an engin­eer­ing and com­mer­cial per­spect­ive based on our cli­ents’ defined frame­work con­di­tions and require­ments as coordin­ator of the team or on your own.
  • Ana­lyze cus­tomer require­ments and con­sult cus­tom­ers regard­ing their needs.
  • Pre­par­a­tion of tech­nical doc­u­ments e.g. work­flow charts, block dia­grams, tech­nical data­sheets.
  • Pro­ject man­age­ment, exe­cu­tion plan­ning, install­a­tion super­vi­sion, tests and com­mis­sion­ing of the designed stu­dio solu­tions for tele­vi­sion, film and cor­por­ate applic­a­tions.

Requirements:

  • A degree in broad­cast tech­no­logy, media tech­no­logy, elec­trical engin­eer­ing, event tech­no­logy or in a com­par­able field
  • Exper­i­ence in pro­ject man­age­ment and a high level of self-organ­iz­a­tion.
  • High level of abil­ity to work in a team and solu­tion-ori­ented approach in con­flict situ­ations.
  • Know­ledge of tele­vi­sion tech­no­logy in gen­eral with a focus on cam­era & light­ing work­flows and their integ­ra­tion into pro­duc­tion infra­struc­tures in the broad­cast, cine style or Pro A/V mar­ket is a plus.
  • Exper­i­ence and know­ledge of "light­ing" for stu­dio applic­a­tions in par­tic­u­lar, as well as light­ing con­trol and light­ing net­works would be an advant­age.
  • Motiv­a­tion to learn new them­atic com­plexes inde­pend­ently.
  • Busi­ness flu­ent in Eng­lish and basic know­ledge of Ger­man or will­ing to learn.
  • Will­ing­ness to travel.

What we offer:

  • Flex­ible work­ing hours
  • 30 annual hol­i­day days as well as extra leave for cer­tain occa­sions
  • Mobile work­ing depend­ing on work­place
  • Com­pet­it­ive salary and attract­ive sup­ple­ment­ary ser­vices
  • Com­pany pen­sion
  • Excit­ing career devel­op­ment oppor­tun­it­ies
  • Staff events on a reg­u­lar basis
  • Cor­por­ate Bene­fits Pro­gramme with dis­count offers

How to apply: